11/6/2022 0 Comments Stereo master fader pro toolsof installing software on a DAW machine, lol.Īs far as i understood, you are best off using what the manufacturer tells you at which levels his converters are most transparent.īut.the (i admit - a few years older already) ADs i have really don't sound perceivably worse if i hit them harder, as long as i don't hit (digital!) clipping with the hardest transients. Same to me.as of yesterday, my brother and me had a late night talk about restaurating my console for going optional OTB mixing again next year and our technical options/converters/interfaces for the future.all that stuff you contemplate after one guy comes from the 12hrs. You can test this yourself with an interface's 56bit mixer. I'm not going to digress into a Avid slam.cause that's not the point-just to say your ProTools mixer shares only a UI with Dave's. The misconception that your ProTools shares anything beyond a UI with a TDM system is literally the reason they have the marketshare they have. And those 02Rs combined a 32bit fixed path for the channel with a greater accumulator chip (aka.summing). Fillipetti won a Grammy for his digital mix of Hourglass in 97 because it was literally one of the first to EVEN be mixed with a digital mixer and not sound of ass. Prior to that (HD circa 2000'ish) no one would mix in a computer. Dave's is a piece of $30k digital hardware that he controls with his computer. You understand that, right? Yours is.Dave's is not. These do not behave the same at the job above, IME-setting levels, panning summing. Software (floating point, processing done by your general purpose CPU) digital. To oversimply-ignore the EQ or compression and such that may be used. To oversimply, there are three kinda of mixers in the world, and for the purpose of my point, I mean the thing that takes channels, set the levels, pans and sums them to stereo.
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